Archives for : February2015

How the Holocaust Became Traumatic, Alexander

For some time I’ve been puzzled by the idea of collective or historical trauma. Only individuals can experience trauma, so what sense does it make sense to say that a society is traumatized? Literally it makes no sense, unless it is seen as some sort of additive statement, such as this person was traumatized, and this person was traumatized, and this person, and so forth. But society is not additive; it is an abstraction. How can an abstraction be traumatized?

Looking at Jeffrey Alexander’s account of how the Holocaust became traumatic helps to explain the process, as well as raising some questions.

Alexander holds that nothing is traumatic in itself. Trauma is made, or constructed, by the meaning we give events, a social process involving the representation of trauma, as well as the political and persuasive power of those who do the representing. It also requires the receptivity of the larger society.

The claim that nothing is traumatic in itself doesn’t sound very convincing if we think about the trauma suffered by those who survived the Holocaust. Did someone who was imprisoned in Auschwitz have any alternative but to construct his or her experience as traumatic? Even the term “construct” suggests an agency that was largely lacking. Just read Lawrence Langer’s Holocaust Testimonies: The Ruins of Memory.

Continue Reading >>

Share

Bessel van der Kolk’s House of Trauma Has Many Mansions. Review of The Body Keeps the Score (2014)

 

IMG_0646,straitFor a man who was a leading defender of repressed memory syndrome in the early 1990’s, providing expert testimony in a number of high profile cases, Bessel van der Kolk has done remarkably well for himself. No matter that he seems to have lost his lab and his Harvard medical school affiliation as a result (New York Times). Some of the qualities that led him off the deep end of the repressed memory bandwagon have led him to write what an important, but flawed, book on trauma, The Body Keeps the Score (2014).

Van der Kolk (vdK) holds that the real problem with trauma is not in the past. The problem is that trauma keeps the sufferer from feeling alive in the present, and so able to enjoy everyday life. All the desensitization in the world isn’t going to do any good if a person can’t enjoy the everyday pleasures of life. The way to approach trauma is to work from body to mind. If you are traumatized, and talking isn’t helping, and you are picking the scabs on your body as a means of self-stimulation and soothing, go see a massage therapist. And while you do that we will continue to talk (pp. 88-89). This isn’t all he has to say, but it is at the core.

Continue Reading >>

Share

What makes trauma political? And how does it work?

Can a society or culture be traumatic? No, it doesn’t make sense. No matter how closely we are imbricated in each other’s lives, trauma remains an individual experience. Nevertheless, a society or culture can make it easier or more difficult for its members to bear trauma. It is in this way that trauma becomes a political issue. (My argument applies to societies of ordinary immorality, not to regimes like Nazi Germany, Stalin’s Russia, or Mao’s China.)

D. W. Winnicott, a British psychoanalyst, concluded that a traumatic culture is one which its members can’t appropriate and make their own. Behind this way of thinking is the idea that a culture is itself a transitional experience. The first transitional experience is the child’s experience with a favorite toy or “blankie,” a soft object that represents me and not me, mother and not mother. Transitional objects are logical impossibilities: something that is and isn’t at the same time. It is through our relationship with transitional objects that people are able to take first a comforting object, and later the resources of an entire culture, such as its music, food, smells, art, movies, and so forth and make them their own.

Continue Reading >>

Share